Top 5 – Shows that Should be Turned Into K-Dramas

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Earlier I slogged through a Top 5 deducing the best dramas that could be remade for American audiences.  It kind of sucked.  Perhaps the trouble was I don’t think these hypothetical shows would turn out half-way decent.  Part of dramas appeal is telling a long form story with a set ending, so taking a 16 hour story and turning it into x amount of episodes in the American network system seems depressing in some way.  From the reverse perspective, it proves more interesting.  Not only could you make the plot more concise, but looking at a similar premise through the lens of a culture dissimilar from your own can put a fresh perspective on a show.

Part of my inspiration for this list came from the possible Homeland remake  for Korean television, which means anything ispossible as far as adaptations go.  In this day and age where original ideas are becoming an endangered species, might as well go with the adaptive flow and help out Korean producers looking for the next hit drama!

So that is the basis for this list.  With the shows given I am least acutely aware of the premise, and included show’s trailers to give y’all a better idea of the show.  To make things more interesting, I included some Korean casting choices I would make for the Korean adaptations.  Now, onward and listwards as here is number 5!

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Bae Doona continues to be Wachowskis’ # 1 Korean, will be cast in Netflix Series

Well this seems… interesting. The Wachowskis, directors of such films such as Speed Racer, Cloud Atlas, and The Matrix Trilogy, are about to film a new series for streaming giant Netflix, presumably so they’ll still have jobs before the release of wackadoo janitorial space opera Jupiter Ascending. This film where not even the power of  a hobbit yearning Channing Tatum could prevent it from having a delayed release from this summer, to the cinematic garbage dump of February (though this does fit more thematically).

jupiter (1)So, they are partnering with Netflix to create  a science fiction/conspiracy thriller connecting characters from across the globe, which seem to be their motus operendi at the moment.  “Entitled Sense8, the story follows eight telepathically connected strangers who experience a shared vision. After their sudden psychic link-up, the eight (each located in different countries) are able to see and talk to each other with their minds. As they try to figure out how and why the event happened, a “mysterious” man tries to bring the group together, while another — the intriguingly named “Mr. Whispers,” seeks to kill them.” (Source Pajiba) Continue reading

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Fresh off the Boat: Representation of Asians and minorities in the American TV Landscape

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Fresh Off the Boat, the new family comedy based on the memoirs of chef Eddie Huang, has been officially announced during last weeks upfronts and will be coming to ABC this Fall. To the best of my knowledge this is the first “Asian” show to grace the networks since All-American Family with Margaret Cho in 1994. That’s twenty freaking years people! Now I’ve already seen multiple accusations of this pilot, saying the humor is steeped in Asian stereotypes. And to those I say kind of, but… Yes, the trailer uses foreign accents and the hilarity of smelly ethnic food as comic fodder, and like all humor it depends on the joke, context, and receiver (viewer) if it can be considered funny without being offensive. And if the entirety of this series was based on the jokes of that three minute trailer, I’d be concerned. But comedic pilots are a tricky beast, one thats damned near impossible to pull of. (Seriously. Cramming loads of exposition, character introductions, and comedy into 22 minutes is just not right.) With the network TV model no pilot is guaranteed to air* so comedies will tend to go big and broad with its humor, and unfortunately when race is involved broad often equals stereotyping.

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