This batch of films actually contains some thematic resonance betwixt the three, which was quite the serendipitous delight. In all films the male lives in a sort of stasis (be it forced, voluntary, or super secret supernatural somethings), with the effect of such meaning they all demonstrate infantile or devolving behaviors not befitting for “normal” society. Isolation becomes another key theme, and it’s not until they establish a firm connection with someone (namely the female), that they may finally start to feel human again. Now I’m beginning to wonder if this is random happenstance, or a common occurrence in Korean cinema. Even Kang Ji-hwan in My Super Ex-Girlfriend is a Secret Super Spy, seemed to be a bumbling genius till he met up with “girlfriend” and became a bumbling genius in a tux. (Was that a stretch..nah)
Anyway, it may be hard to believe but there were some slight differences as well. Which means onto the reviews!